En
  • دکتری (1392)

    پژوهش هنر

    دانشگاه تربیت مدرس، تهران، ایران

  • کارشناسی‌ارشد (1386)

    پژوهش هنر

    دانشگاه هنر تهران، تهران، ایران

  • کارشناسی (1383)

    طراحی فرش

    دانشگاه کاشان، تهران، ایران

  • جامعه شناسی هنر، مطالعات فرهنگی
  • اقتصاد هنر
  • مطالعات هنر ایرانی- اسلامی

    متولد 1360 تهران. از سال 1379 تحصیلات دانشگاهی را در رشته هنر آغاز کردم و با تحصیل در رشته های فرش در دانشگاه کاشان در دوره کارشناسی و پژوهش هنر در دانشگاه هنر تهران در دوره کارشناسی ارشد، در سال 1392 از رساله دکتری خود در رشته پژوهش هنر در دانشگاه تربیت مدرس دفاع نمودم. از سال 1393 به عنوان استادیار گروه پژوهش هنر در دانشگاه تربیت مدرس مشغول به خدمت هستم. در این مدت چندین مقاله علمی منتشر کرده در همایش های علمی مشارکت داشته ام و در راه اندازی نشریات علمی-پژوهشی در حوزه هنر فعال بوده ام. از سال 1395 تا سال 1397 ریاست انجمن علمی فرش را بر عهده داشته ام و عضو هیئت مدیره انجمن علمی موزه، حفاظت و مرمت نیز بوده ام. معاون سردبیر نشریه علمی-پژوهشی نامه هنرهای تجسمی و کاربردی هستم. تدریس د رمقاطع کارشناسی ارشد و دکتری، راهنمایی و مشاوره پایان نامه ها و رساله های دانشجویان و تحقیق و پژوهش در حوزه های تخصصی جامعه شناسی هنر، اقتصاد هنر و تاریخ هنر ایران مهمترین فعالیت علمی-دانشگاهی بنده به شمار می آید.

    ارتباط

    رزومه

    Reflection of Feminine Erotic in the Safavid Period on the Isfahan School Paintings

    F Shahkolahi, H Bolkhari Ghehi, M Keshavarz Afshar
    Journal Papers , , {Pages }

    Abstract

    Image of Women in Nomadic Carpets; the Motif of

    Akram Noori, Homa Mousanejhad Khabisi, Mahdi Keshavarz Afshar
    Journal PapersJournal of Woman in Culture Arts , Volume 12 , Issue 2, 2020 June 21, {Pages 251-266 }

    Abstract

    The image of a woman as a human motif is one of the common motifs in nomadic carpets, which has been woven in various formats and structures, in different regions of Iran, and it definitely has also a symbolic and special meaning. The motif of "nine women" is among the motifs in which the image of the woman is woven. This research tries to address three sample carpets from three different clans. Researchers are looking for the type of woman illustration in this category of Persian hand-woven carpet, and its relationship with the appearance and social image of nomadic women. In fact, the type of clothing and adorn are studying in this research, as one of the social norms for women. The main purpose of this research is to assess the relations

    Examining the image of women in nomadic carpets The role of

    Akram Noori, Homa Musa Nezhad Khabisi, Mahdi Keshavarz Afshar
    Journal PapersJournal of Woman in Culture Arts , Volume 12 , Issue 2, 2020 June 21, {Pages 251-266 }

    Abstract

    The image of a woman as a human figure is one of the common motifs in nomadic carpets that are woven in different shapes and structures in different parts of the country and certainly has a symbolic and special meaning. The role of "nine women" is one of the designs in which the image of a woman is woven. In this research, carpets from three different tribes are examined. Researchers are looking for the type of female illustration in this category of Iranian handmade carpets and the relationship between this type of illustration and the appearance and social form of nomadic women. In fact, the type of clothing and makeup as one of the social norms for women in this study is examined. The main question of this research is as follows: to what

    The Impact of Digital Implements and Techniques on Iran Contemporary Carpet Industry

    Fateme Torkashvand, Mehran Houshiar
    Journal PapersJournal Scientific Goljaam , Volume 15 , Issue 36, 2020 March 10, {Pages 0-0 }

    Abstract

    The advent of digital implements and techniques in the modern world, has changed the quality of the human life and also has influenced the traditional art of the nations. The traditional design as the most important step which the artistic creation take place in, has been affected by these evolutions and specially the arts like carpet are being influenced the most. Due to the two decades passing from entrance and stabilization of digital implements and techniques in Iran carpet design, it is indispensable to study their impacts in order to identify the threats and opportunities of these new tools in traditional art. On the other hand, artists and experts of this scope are the most competent references to evaluate the quality of these impact

    Discourse anslysis of religious' culture's effects on Naser al-Din Shah Qajar's donated rug to Jewish Doctor of Iran's Court

    Iman Zakariaee Kermani, Mahdi Keshavarz Afshar, Bijan Arbabi
    Journal PapersJournal Scientific Goljaam , Volume 15 , Issue 36, 2020 March 10, {Pages 0-0 }

    Abstract

    Iran is an ancient country with very rich culture, art, and history. People who reside there have different cultures and religions. One of the most important and classical art in Iran is carpet which dates return to many years ago. This art has an appropriate background to presents images and symbols that show beliefs, traditions, social changes, religious thought and etc. By various images and patterns on Persian rug, it is a proper commodity for presentation and communication with individuals and societies that are different with each other in the eyes of religion and culture.The rug that Naser al-Din Shah donated his Jewish doctor, Nur Mohammad, is one of these rugs which has religious images and symbols. Nur Mohammad was Jewish doctor o

    Semiological Analysis of Communicational and Promotional Functions of Theatre Posters in Iran (Case Study: The 1950s Theater Posters)

    Maryam Mafi, Afshar Mehdi Keshavarz
    Journal Papers , Issue 76, 2019 January 1, {Pages 52-93 }

    Abstract

    The 1950s is noteworthy both in terms of theatre-related developments and the history of theatre posters in Iran. During this period, the theatre acquired a socio-political feature and found a greater audience. Tabriz was one of the principal centers of theatre in these ages. This period was also a starting point for designing theatre posters. The purpose of this paper is to analyze the semiology of the communicational and promotional functions of theatre posters in this decade. The main issue here is figuring out a significant relationship between the content of plays and the form of 1950s posters in Iran in terms of communicational and promotional functions. The research method is descriptive-analytical and historical. The data are brough

    social and political role of art in FARABI'S utopia according to the concept of happiness

    Somayeh Jalalian, Mahdi Keshavarz Afshar
    Journal PapersTheology of Art , Volume 1396 , Issue 9, 2018 December 22, {Pages 89-108 }

    Abstract

    Happiness is a key world in FARABI’S politics and social thought and generally in peripatetic philosophers. From one hand, he thought that the goal of society and politics are happiness. In his view this goal only in utopia is achievable. Further more he believed that the goal of art is taking people to happiness. The question of this paper is relationship between art and society in FARABI’S view. In other world the goal of this paper is study the social and political role of art. The method of this research is fundamental, analytical descriptive.The method of gathering data is from books, articles and interview. Results show that FARABI spoke about happiness in society, happiness in other world and happiness in knowledge. THE SECOND TE

    The Impact of the West on the Carpets of Qajar Era

    Alireza Khajeh Ahmad Attari, Mohammad Taghi Ashouri, Bijan Arbabi, Mehdi Keshavarz Afshar
    Journal PapersJournal Scientific Goljaam , Volume 13 , Issue 31, 2017 September 10, {Pages 20-May }

    Abstract

    Despite the fact that many branches of art and craft were affected by the ideas of Western modernity in the Qajar era including painting, architecture, poetry, literature and handicrafts, carpet-weaving art preserved its cultural traditions and mainly represented its traditional motifs and designs. The present paper aims to study the economics and the situation of carpet-weaving in the Qajar era, to understand how production relationships and the presence of foreign companies affected the development of the traditional carpet weaving of Qajar era, and also to know what the role of consumer markets of the West was in the preservation of traditional design and motifs of carpets in this epoch. This research is a historical-descriptive-analytic

    The Essence And the Goal of Art in FARABI and ABU HAMMED AL GHAZZALI (the Comparative Study)

    AFSHAR MEHDI KESHAVARZ
    Journal Papers , Volume 10 , Issue 1900416, 2017 January 1, {Pages 22-May }

    Abstract

    Abu Nasr AL FARABI and Abu Hammed AL GHAZZALI are the famous characters in Islamic Philosophy and Islamic world. Most of their opinion is different. AL FARABI is the founder of Islamic Philosophy and he is a peripatetic philosopher. He is called The Second Teacher (after Aristotle who was The First Teacher). But Abu hammed Al GHAZZALI is a theologian with Sufi attitude and also he criticized peripatetic philosophy. Some people think that after him, Islamic philosophy is finished. So the comparative study of them is important. The problem of this paper is to understand The Essence and The Goal of Art in Abu Nasr ALFARABI and Abu Hammed AL GHAZZALI. The subject of “The Essence and The Goal of Art”(Art in modern meaning) was not directly o

    Discourse in Safavid Rugs Garden

    Bijan Arbabi
    Journal PapersJournal Scientific Goljaam , Volume 11 , Issue 28, 2016 March 10, {Pages 21-May }

    Abstract

    Regardless of its architectural features, garden is one of the key concepts in Persian art history from the ancient times to the Islamic period with a significant role in different arts, especially in architecture, from conceptual, formal and also contents-based points of view.

    A comparative Analysis of Sociological Situation and Cinematic Representation in Iran Cinema in the'80s: A Case Study of Deep Breath

    Maryam Sadat Naghibi Esfahani, Hassanali Pourmand, Mahdi Keshavarz Afshar
    Journal PapersSociology of Art and Literature , Volume 7 , Issue 2, 2016 February 20, {Pages 207-228 }

    Abstract

    A comparative Analysis of Sociological Situation and Cinematic Representation in Iranian Movies from the 80s: A Case Study of Deep BreathMaryam Sadat Naghibi Esfahani, Hasan Ali Pourmand, Mahdi Keshavarz AfsharMA student, Tarbiat Modares University, Tehran, maryamsnaghibi@gmail.comAssistant Professor, Tarbiat Modares University, Tehran, hapourmand@modares.ac.irAssistant Professor, Tarbiat Modares University, Tehran, m.afshar@modares.ac.irThe area of media and film is popular and related to institutions and discourses of the era. Showing the image of the society in a film has different reasons and purposes: sometimes to proselyte and sometimes to show the social reality. This paper examines the social conditions of late 1370s and the cinemat

    COMPARATIVE STUDY OF FRENCHE CARPET WITH KERMAN GUBLAN CARPET

    MARYAM SOLTANI, AFSHAR MEHDI KESHAVARZ
    Journal Papers , Issue 29, 2016 January 1, {Pages 45-62 }

    Abstract

    The French elements and motifs have been entered to Iran art through building moldings. Meanwhile, importing postcards and chocolate boxes having European stencils, have had important role at stencils of carpet. At the period of Gublan in Kerman province, by the request of America for using French Golfrang and Gublan, the structure and elements of Kerman carpet was influenced by Aubusson and Savonery carpets.

    Rug as Icon Iconographical Analysis of Case Study: Pictorial Rug of" Madonna and Jesus Christ"

    Mehdi Keshavarz Afshar, Samad Samanian
    Journal PapersJournal Scientific Goljaam , Volume 3 , Issue 8, 2008 March 10, {Pages 91-106 }

    Abstract

    A new trend of weaving pictures in Qajar era is considered to be a revolution in the art of carpet-weaving whether from viewpoint of form or concept. These pictorial rugs were intended to be spread on the floor no more, but they were woven for visual satisfaction, exactly as pictures. These pictures are like an encyclopedia of the cultural life of that era, which covers beliefs, culture and life of the people and can be employed for discovering unknown aspects of their culture and outlook. This paper has amid to understand and find the meaning of one of these rugs, namely" Mary and Jesus Christ" by analyzing it using Erwin Panofskychr ('39') s iconographic method for finding different meaning layers. The paper concludes that the above-menti

    ICONOGRAPHICAL ANALYSIS OF PICTORIAL RUG OF

    AFSHAR MEHDI KESHAVARZ, SAMAD SAMANIAN
    Journal Papers , Issue 8, 2007 January 1, {Pages 91-106 }

    Abstract

    A new trend of weaving pictures in Qajar era is considered to be a revolution in the art of carpet-weaving whether from viewpoint of form or concept. These pictorial rugs were intended to be spread on the floor no more, but they were woven for visual satisfaction, exactly as pictures. These pictures are like an encyclopedia of the cultural life of that era, which covers beliefs, culture and life of the people and can be employed for discovering unknown aspects of their culture and outlook. This paper has amid to understand and find the meaning of one of these rugs, namely" Mary and Jesus Christ" by analyzing it using Erwin Panofsky's iconographic method for finding different meaning layers. The paper concludes that the above-mentioned rug h

    a Study on the cypress forest design in raviz rafsanjan carpet

    AFSHAR MEHDI KESHAVARZ
    Journal Papers , Issue 3200720, January , {Pages 161-174 }

    Abstract

    Kerman nomadic hand-woven carpets, woven without a detailed advance plan, is today one of the less discussed issues in the industry. Rafsanjan, Raviz carpet is among hundreds of nomadic carpets with significant authenticity and different motifs, including tree, mecca, flower pot, boteh, brick, medalion. The tree motif is one of the most beautiful features mainly seen in carpets woven in this area with different types the major one of which is cypress. By examining the structure, the present study aimed at identifying the major marginal and central motifs, their local name, and what changed over time? In which part of the carpets the changes can be found? To provide correct answers, the sample included 40 carpets woven based on the target mo

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    دروس نیمسال جاری

    • دكتري
      جامعه شناسي و مطالعات فرهنگي ( واحد)
      دانشکده هنر، گروه پژوهش و تاريخ هنر
    • كارشناسي ارشد
      نقد هنري ( واحد)
    • كارشناسي ارشد
      مطالعات تطبيقي هنر ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      جامعه شناسي هنر ( واحد)
      دانشکده هنر، گروه پژوهش و تاريخ هنر
    • دكتري
      فلسفه و زيبايي شناسي هنر جديد ( واحد)
    • دكتري
      نظريه و روش هاي نقد هنر ( واحد)
    • 1400
      ايراني, سميه
      تحليل گفتمان هاي مد در حوزه لباس و پوشاك در جامعه معاصر ايران (دهه هفتاد تا نود شمسي)
    • 1400
      رسولي فر, مريم
    • 1400
      سينائي, پريناز
    • 1400
      عسكرپور, سمانه
    • 1399
      رحمانپور, ناهيد
      آينده پژوهي مديريت طراحي و توليد صنايع دستي كلاس جهاني در انقلاب چهارم صنعتي(با روش تحليل تاثيرمتقابل)
    • رییس انجمن علمی فرش ایران (1395-1397)
      داده ای یافت نشد

    مهم

    جدید

      اطلاعیه ای درج نشده است